About

The Festival de la Cité Lausanne invites its audience to discover programming that is at the same time accessible and popular, yet also edgy and disconcerting – with an emphasis on quality and originality. The Festival de la Cité offers key events – innovative projects that put the spotlight on each edition: creations, encounters between artists, interdisciplinary projects, surprises, performances. The Festival prioritises situational projects and those that interact with the public realm, be it urban, natural or societal. The Festival de la Cité challenges itself to initiate new projects each and every year, to realise new perspectives, to surprise, to do better and do different. Projects for which collaboration with Festival partners is welcome. A melting pot of wildly diverse forms of expressions, the programming of the Festival de la Cité Lausanne is undeniably broad in scope! It brings together emerging talent et proven values in the form of local and international artists, all of whom are professional.

Gratuité 

All of the Festival's events are available free of charge. Kindly respect the performers and your fellow festivalgoers by reducing disruptive behaviour and movement to a minimum during shows. Don't forget to keep your cool if there are no spots left - remember, everything is free so some shows fill up quite quickly!

Respect du quartier et de ses habitant·e·x·s

The Festival de la Cité Lausanne is privileged to host six nights of cultural festivities in the centre of Lausanne. Everyone is encouraged to take good care of the urban environment, parts of which are rich in heritage value. By respecting the surroundings, you help keep the Festival anchored in an urban setting, right where it belongs. A big thank you in advance for respecting the neighbourhood's residents by minimizing noise levels when the shows are over, as well as by avoiding damage to buildings and vehicles in the area.

Festivals promote values of social cohesion, diversity, and cultural democratization, opening up new perspectives. In this context, initiating the ecological transition by adopting sustainable best practices is essential.

For many years, the Festival de la Cité has integrated environmental considerations into its activities. In 2010, it introduced reusable cups, followed by a full reusable dishware system in 2019. At the end of 2022, the Festival committed to significantly reducing its environmental impact and strengthening its social responsibility.

With the guidance of a sustainability expert, an initial impact assessment was conducted for the 2023 edition, achieving a 63% score, a solid foundation for further progress. Following this, the Festival team developed an action plan to implement in future editions.

This sustainability initiative aims not only to reduce environmental impact but also to enhance the Festival’s economic, social, and societal contributions.

Below are the objectives and measures implemented by the Festival de la Cité:

Economic: supporting local stakeholders and partners

○ Collaboration with predominantly local suppliers

○ Locally sourced beverages: beers, wines, and soft drinks (La Nébuleuse, Vins de la Ville, Les Pétillantes)

○ Strengthening the Festival’s local presence through artistic, economic, and institutional partnerships

Social: enhancing working conditions and accessibility

○ Development of accessible infrastructure and content for people with reduced mobility and hearing impairments (bars, cable covers, PMR platforms, adapted signage, sign language translation, hearing loops)

○ Creation of a project mandate to oversee and develop accessibility and cultural participation initiatives

○ Establishment of working groups in partnership with Pro Senectute (for senior citizens) and individuals with disabilities

○ Artistic programs designed for young audiences and families, with adapted spaces

○ Team Care program, on-site first aid teams, and the Angela protocol

○ Annual collaboration with an association for a donation campaign through festivalgoers’ deposits

○ Sustainability workshop for the Festival’s core team

Environmental: reducing ecological footprint

Waste management

○ Reusable cups at all bars since 2010, reusable dishware for food stands since 2019

○ Zero plastic goal: significant reduction in plastic bottles (from 11,589 PET bottles in 2023 to 2,817 in 2024), majority of bar products in kegs, cans, or tanks, reusable bottles provided for staff and artists (500 distributed in 2024)

○ Installation of water dispensers at festival bars and the staff and artists’ canteen, in collaboration with BeWTR, to minimize PET use

○ Rental of most infrastructures, equipment, and dishware, prioritizing neutral, non-branded materials

○ Reuse of stage designs and built structures

○ Shared use of electric vehicles with other regional festivals via Maximus Association, and partnership with SILs for festival operations

○ Glass, PET, and can recycling bins throughout the festival site

○ Proactive waste management, including signage and cigarette butt disposal points

○ Organic waste bins at the festival’s canteen to produce biogas, in partnership with SILs

Water, energy, and transport

○ Connection to the city’s renewable electricity grid (nativa®plus)

○ No festival merchandise in 2024

○ No new staff T-shirts in 2024, but upcycled versions with screen-printed festival colors

○ International artists programmed only as part of a Swiss or European tour

Sustainable catering

○ Implementation of a strict eco-friendly food charter for food stands, the festival canteen, and partner events: seasonal, local, and vegan options (see sustainable catering charter)

○ Creation of a monitoring mandate to ensure compliance with food stand regulations

○ Exclusively vegetarian lunches for staff

 

 

The story of the Festival de la Cité Foundation begins with a motion tabled in Lausanne by the socialist municipal councillor Marx Lévy in 1966, which proposed a study to look into the possibility of holding an annual public event in the city of Lausanne. The Association pour la Fête à Lausanne was created on 21 March 1968, with the first event taking place on 28 and 29 June 1968, its primary aim to provide, free of charge, a wide range of shows. It was met with great enthusiasm by the public. Supported on a voluntary basis by numerous local artists, clubs and societies, in 1969 the Fête de Lausanne extended the area it initially occupied in the Cité quarter by embarking on a more ambitious cultural offering that incorporated the Place de la Cathédrale and Place du Château.

The first three editions of the Festival were marked by numerous incidents involving protests – some political in nature. These times of social unrest in Europe prompted the organising committee – fearing confrontations – to cancel the 1971 event just two weeks before it was due to open. The cause of the trouble was a perceived lack of access to culture for the population at large, particularly low earners, young people and workers. Some political parties backed the movement, and 240 prominent personalities in Lausanne signed a petition protesting against the lack of a cultural policy.

It was in this context of protest mobilisation, coupled with the abandoning of the 1971 edition of the Fête à Lausanne, that the Association des Amis de la Cité, on the initiative of actor and writer Gil Pidoux, proposed a more substantial cultural event within the framework of the original event in the Cité quarter: birth of the Festival de la Cité. The municipality supported the projected. A new multidisciplinary event launched in 1972 and took up residence in the heart of the historical quarter of the city: lasting a week and with free admission, it complemented the two-day Fête à Lausanne.

The organisers of the Festival de la Cité separated from the Fête à Lausanne in 1983, grew the event and incorporated it as an independent financial entity two years later. In 2002 it morphed into a private foundation, which changed its name to the Fondation Festival de la Cité and initiated a process of professionalisation. Several figures have left their mark on the Festival, including Jean-Claude Rochat, Géraldine Savary, Silvia Zamora, Olivier Pavillon and Jacques Bert, the long-standing Director of the Festival who left office in 2002.

After the 2007 edition, the Governing Board of the Festival de la Cité chaired by Georges Caille decided to restructure its operations. It appointed Michael Kinzer as Artistic and Administrative Director, who entered office in September 2008. The Festival de la Cité Lausanne began offering six nights of unbounded cultural vibrancy in 2010 across 15 stages within the Cité quarter. The Festival celebrated its 40th edition in 2011. 2013 saw the addition of a curtain-raiser to the Festival (Prélude en ville) comprising a series of offbeat and offstage shows throughout the city during the week preceding the main event.

 

Driven from its stronghold in the historical quarter by construction work for the new Canton Vaud parliament building, in 2014 the Festival resettled successfully in the city in the wider sense. Two years on, the challenge had turned into an opportunity: that of reaching out to residents in other neighbourhoods and motivating them to discover or rediscover the city of Lausanne through the lens of an artistic, convivial event featuring out-of-the-ordinary programming presented in unexpected venues.
Returning to the historical quarter in 2017 after most of the building site had been cleared, the Festival once again sought to strike that magical balance between art and celebration. In 2018, the Festival moved into the Place du Tunnel, for the first time ever. In 2019, the festival opens the edition on the Place de la Riponne, reinvests the Friche du Vallon and welcomes more than 100'000 festival-goers. More than 80 artistic proposals (creations and installations in situ, shows, installations and concerts) for 153 performances are offered to the public in about twenty different and partly new places. In 2020, the Festival de la Cité was severely tested by the Covid-19 health crisis and had to be cancelled to make way for Aux confins de la Cité. The event hosted about forty artistic projects and took place in many new locations in the city of Lausanne, in compliance with the sanitary norms decreed by the Federal Council.

 

 

In 2021, despite unfavorable weather and sanitary measures that are sometimes difficult to apply, the festival has the intense pleasure of reconnecting art, artists and the public in the alleys of the Cité, at the Verger de l'Hermitage, at the Clairière de Tridel and at Sauvabelin.

 

 

In 2022, the Festival de la Cité celebrated its 50th anniversary. This jubilee has marked history by gathering large audiences, until crossing the 100'000 visitors.

 

 

In 2023 , after a majestic 50th, the Festival inaugurated a new cycle with a new managing director led by Martine Chalverat. One of the new features of this year's Festival was the creation of a new stage: Les Balcons de la Mercerie.